. In 1981 he started Cheek by Jowl and has directed 25 plays
for them.
. Blocks are big thing he worked with, these are identified
as states of mind i.e. I don’t know what I’m doing or I don't know who I am.
. He says the reason for blocks being a issue is that they
are a symptom of pride, they affirm (know) something about ourselves (I)
instead of allowing us to focus on what we should be focusing on, that which is
outside ourselves.
. The Target is what he calls this, one thing we did to
explore this was by getting into partners and scrutinising one another’s faces
whilst acting a scene, to see what we could discover. We all noticed they
looked at something outside themselves.
. Declan Donnellan presented six rules for the target:
1. There
is always a target.
2. An
actor can’t know what they are doing without knowing who they are doing it too.
3. It
can be real or imaginary
4. It
can be tangible or abstract
5. It
can be yourself
6. An
actor can do nothing without a target
. Double takes are another part of his work, this is when
you look twice at your target to emphasise its existence.
. To explore this, we got in pairs a did a short scene with a
double take.
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